With a strong eye for detail, she approaches each project as a close creative collaboration with directors and cinematographers, building distinctive visual worlds that support the story and remain memorable.
Over recent years, she has worked extensively on international commercial productions alongside acclaimed directors including Kai Kurve, Vincent Lobelle, Jack Cole, Yvan Fabbing, Daniel Kaufman, Edouard le Scouarnec, Clan Duo, and Martin Kalina. She also developed broad on-set experience as a second set designer, collaborating with renowned production designers such as Gael Leroux, Ben Ansell, Renaud Deschamp, and Pepijn van Looy.
Her commercial portfolio includes campaigns for BMW, Chandon, Meta, KFC, Lech, Bayer, Żywiec, Darty, Virgin Mobile, McDonald’s, and Maspex.
Alongside her commercial work, Aleksandra has contributed to a range of artistic projects and music videos. Her selected credits include Muse’s Compliance, nominated for a Berlin Commercial Festival Award, as well as The Fib by Rysy and Feed Fire by Eskmo, for which she created both the set and costume designs. She was also responsible for the set design of Ultraviolet by Urbanski feat. Justyna Święć.
Her film and television credits include the short film Home Sweet Home, directed by Agata Puszcz, which premiered at the Polish Film Festival in Gdynia in 2019. In 2023, she worked as a set decorator and art director on the Netflix series A Girl and an Astronaut. She also served as art director on the television series Kibic, directed by Łukasz Palkowski, and the feature film Wielka Warszawska, directed by Bartłomiej Ignaciuk.
