He graduated from the Cinematography Department of the Łódź Film School and holds a degree in English Philology from the University of Łódź.
He began his career as a still photographer and camera operator, collaborating with acclaimed cinematographers including Paweł Edelman, Bartek Kaczmarek, and Łukasz Kośmicki. Over the years, he has built extensive experience working on feature films, television series, and commercial productions.
As a cinematographer, Kacper has worked on numerous television series and feature films, including Bay of Spies (Zatoka Szpiegów), Krew z Krwi, Squared Love Everlasting (Miłość do kwadratu bez granic), and Squared Love All Over Again (Miłość do kwadratu jeszcze raz). His credits also include camera operation on a wide range of acclaimed film and television productions, such as Emigration XD, Rojst Millennium, and Polowanie na ćmy.
He was the cinematographer of the award-winning mid-length film Grandma’s Day (dir. Mateusz Sakowski), which received recognition at numerous international festivals, including the Cottbus Film Festival and the Foyle Film Festival.
Most recently, Kacper received a nomination for Best Cinematography at BNP Paribas Warsaw SerialCon for his work on the television series Bay of Spies (Zatoka Szpiegów), shared with cinematographer Maciej Lisiecki.
Whether working on narrative projects or commercial productions, Kacper brings a cinematic sensibility and a meticulous visual approach to storytelling, creating imagery that is both engaging and emotionally resonant.
